Vision and Art: The Biology of Seeing
by Margaret Livingstone
Unexpectedly, the most fascinating art book I’ve ever read is written by a Harvard Medical School professor of neurophysiology. “This book is about vision—the process of receiving and interpreting light reflected from objects—and what art reveals about how we see.”
Continue reading “Vision and Art: The Biology of Seeing”
The Artist’s Complete Guide to Figure Drawing: A Contemporary Perspective on the Classical Tradition
by Anthony Ryder
Anthony Ryder presents a thorough and meticulous process for drawing the human figure. This is definitely not a quick sketch approach. “On average, I put in about twelve three-hour sessions for each finished drawing.” Ryder works with either pencil on white paper or pencil and white charcoal on toned paper.
The Artist’s Model: From Etty to Spencer
by Martin Postle and William Vaughan
This book is a catalog of figurative artwork produced in Britain from the mid-1800s to the early-1900s, published in conjunction with an exhibition held in 1999. The works, featuring nude and clothed figures, range from anatomical studies to finished drawings and paintings, as well as a few photographs and sculptures. In addition to the artwork, there are four interesting chapters about artists, models, and attitudes of this period. Extensive captions provide additional insights about particular artists and models. A sampling of the artwork follows this review.
Continue reading “The Artist’s Model: From Etty to Spencer”
A Painter’s Progress: A Portrait of Lucian Freud
by David Dawson
A Painter’s Progress is a collection of 241 behind-the-scenes photographs taken by David Dawson, who was Lucian Freud’s assistant for nearly twenty years. Many of the photos taken in Freud’s studio include nude models, portrait sitters, and his whippets, Pluto and Eli. There are photos documenting several iterations of works in progress. Other photos include Freud viewing artwork in museums, meeting prominent people, having breakfast, and relaxing at home. There are also photos showing Freud’s posthumous exhibition being installed at the National Portrait Gallery in London.
The messy walls are a quirky feature of Freud’s studio.
Continue reading “A Painter’s Progress: A Portrait of Lucian Freud”
Art in the Age of Emergence
by Michael J. Pearce
Michael J. Pearce is an art professor who experienced a light bulb moment when he attended a talk in the philosophy department on the topic of emergence by guest speaker Philip Clayton. “Emergence, which describes the characteristics of forms that come out of complex systems, could apply especially well to how we experience art, how we understand aesthetics in relation to our evolving mind, and how we understand the creative process of making representational art… I suddenly realized that considering the relationship between emergence and consciousness could lead to a description of what distinguishes art objects from other things as we perceive them through our senses. Emergence allows us to define art!”
This book presents an interesting framework for thinking about art, although it is written in a dense academic style.
Continue reading “Art in the Age of Emergence”
Art and Courage: Stories to Inspire the Artist-Warrior Within
by John Paul Thornton
John Paul Thornton asks, “How will you impact the world?” While the book is not entirely autobiographical, the chapter about the author’s own paintings of missing children is the most powerful part of Art and Courage.
Continue reading “Art and Courage”
Drawing Is Thinking
by Milton Glaser
This book starts out with a 13-page interview with Milton Glaser by Peter Mayer followed by 188 pages of Glaser’s art.
A recurring theme in the short text is ambiguity. “I have always been aware of the need to provoke the mind when communicating ideas because that is the only way that you prod someone into understanding anything. That is why ambiguity is such a useful tool… Why are we unmoved by many of the skills of academic painting? Because their information is complete and unambiguous, so you have nothing to add. The philosophy of modernism suggests that the viewer completes the work.”
Art is Work
by Milton Glaser
Milton Glaser is best known as the graphic designer who created the I Love NY logo in 1975. He has also designed and illustrated album covers, book jackets, advertisements, posters, magazines and newspapers, and architectural interiors.
My Life as a Street Painter in Florence, Italy
by Kelly Borsheim
American sculptor Kelly Borsheim is living her dream, working as an artist in Florence, Italy (or Firenze as the city is called in Italian). She first visited Florence to see the marble sculptures of Michelangelo in person. Once there, she discovered the world of the Madonnari, meaning street painters. (Madonnaro is masculine singular. Madonnara is feminine singular.)
Continue reading “My Life as a Street Painter in Florence Italy”
101 Souls Facing Forward
by John M. Crowther (1939-2018)
When we think about history, especially ancient history, the vast spans of time can become a blur. In his book 101 Souls, John Crowther provides a new framework which puts history in the context of lifetimes. “Imagine a line of people stretching back through time to the beginnings of what we think of as civilization… 6000 years ago. Consider that each individual was born the year that the preceding individual dies, and that each lived to be 60 years old.” Simple math reveals that there would be only 100 lifetimes separating us from the beginning of civilization.
Continue reading “101 Souls”
The Key Point 