How I Paint

How I Paint: Secrets of a Sunday Painter

by Thomas S. Buechner

Paintings by Thomas Buechner (1926-2010) hang in the collections of the Metropolitan Museum of Art and the Smithsonian American Art Museum. This book is primarily about technique, featuring dozens of the author’s still lifes, landscapes, portraits, and figures along with commentary about the process. “One purpose of this book is to make looking at pictures, at the surface of the original work, a source of insight and pleasure.”

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Newberry Color Theory

Newberry-Color-Theory-200

Newberry Color Theory

by Michael Newberry

Whether you are an artist or art appreciator who is curious about the process, this short book provides an interesting explanation of color dynamics using 16 pastel drawings of ocean waves as examples of the system in action. Newberry notes that his color theory was developed after writing about Van Gogh, Cezanne, and Monet for his book Evolution Through Art. “One of the things these artists did was to emphasize the color of vibrations of the air between them and the scene—like looking through a semi-transparent screen window.”

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Good Charts Workbook: Tips, Tools, and Exercises for Making Better Data Visualizations

Good Charts Workbook: Tips, Tools, and Exercises for Making Better Data Visualizations

by Scott Berinato

A good visual representation of data can be invaluable for communicating the meaning behind the numbers. This book walks the reader through the thought process and choices in creating visualizations for a variety of cases. “It’s rare you don’t have to make a trade-off to create a good chart… Most of the time there isn’t one right answer, one right chart.” The main topics covered in the book are clarity, color, chart types, and persuasion.

Clarity. Berinato emphasizes decluttering to put the focus on what you want to communicate. “Take stuff away… Remove redundancy… Limit color and eye travel… Use your headline to describe the main idea of a chart, not its structure.”

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Blue and Yellow Don’t Make Green

Blue and Yellow Don’t Make Green: How to mix the color you want—every time

by Michael Wilcox

“Have you ever wondered why it is so difficult to mix the exact colors that you need? And why it is so easy to mix dull, grayed colors, commonly known as mud?… In order to obtain a wider range of colors we purchase a variety of reds, yellows and blues, together with several greens, oranges, violets, browns, and grays. Painting starts to become expensive and confusing.”

The main premise of this book is that the three-primary color system needs to be abandoned in favor a six-color system. To begin, we need to understand how portions of the color spectrum are either absorbed or reflected by a surface. A surface appears black because it absorbs all colors. A surface appears white if it reflects all colors.

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Vision and Art: The Biology of Seeing

vision-and-art

Vision and Art: The Biology of Seeing

by Margaret Livingstone

Unexpectedly, the most fascinating art book I’ve ever read is written by a Harvard Medical School professor of neurophysiology. “This book is about vision—the process of receiving and interpreting light reflected from objects—and what art reveals about how we see.” Continue reading “Vision and Art: The Biology of Seeing”